Doing it, and Doing it Well for 10 Years!

I am still reeling from the degree of severe awesomeness displayed by the Do Lab on their 10-year anniversary at Coachella. I had the pleasure of getting to see the gears of this well-oiled machine operate from the inside out. From crew, designers, producers, – everyone involved; I am beyond impressed with the plethora of dedication, team work and stellar TALENT that this incredible family of artist embodies.

To say that the Do Lab Coachella line-up is impressive is an understatement, but my mind is so blown, I’m just going to have to use it for now. AudioMolly featured artists such as ChrisB., Dimond Saints, Gladkill, Kill Paris, Love & Light, Minnesota, MitiS, Odeza, Opiuo, Sound Remedy, Sweater Beats, T.E.E.D., Vokab Kompany, etc… Weekend one was such a blast weekend two goers, do not miss out. I might have to just make the track back down to Indio and join you this weekend, seriously considering it.

If you aren’t Coachellaing it this year, no worries, you can catch the Do Lab at Lightening in a bottle coming up Memorial Day weekend. Just check out the goodies that they have in store, I will definitely be seeing you there. CANNOT WAIT!
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Infinite Wax On

Sickest beat I’ve heard in a while combined with awesome vox effects. I really like how :Dface took the expletives out of this Chanel West Coast remix. Of course I’m crazy about the electric strings in the beginning. My favorite part is the bouncy, crunk panning bass .39, then the trap sizzle kicks in at .52! I dare you to try and sit still. Chanel West Coast has so many great songs, can’t wait to hear more awesome remixes like this.

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Infinite Wax On

Sickest beat I’ve heard in a while combined with awesome vox effects. I really like how :Dface took the expletives out of this Chanel West Coast remix. Of course I’m crazy about the electric strings in the beginning. My favorite part is the bouncy, crunk panning bass .39, then the trap sizzle kicks in at .52! I dare you to try and sit still. Chanel West Coast has so many great songs, can’t wait to hear more awesome remixes like this.

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Kumbaya

Okay, there need to be more songs like this in the world! Don’t Wait from Mapei out of Stockholm Sweden. Hollow with vinyl crackle, finger snaps, hand drum, and simple strumming, just lovely. The electrolarynx effect on the back up vox is super interesting as well. This one needs to hit top 40, with everyone singing along. I’m thinking Prom theme, graduation ceremonies. Here’s the new video, you guys watch, I’mma go cry by a bond fire or something.

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ChrisB. Interview & Buddah Bass Remix

I posted Los Angeles native ChrisB.’s Aqueous Transmission remix back in February and caught one of his live sets at an A-Bun-Dance after party in the hills. Good thing that house didn’t have a rug because it would have gotten cut. He had the whole living room turned into a dance floor. Chris is back on AudioMolly with an interview and a sweet new Buddha Bass remix! He will be playing live at the next A-Bun-Dance this Saturday at Lure, Hollywood and the second weekend of Coachella with the Do Lab on 4/20, go ChrisB.!
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Summer: What are your musical influences?

ChrisB.: I have a very eclectic taste, so I have many different types of influences in my music. I grew up playing guitar, I was very into classic rock bands like Pink Floyd and Jimi Hendrix. I was also into jazz and funk. The first electronic music I was ever introduced to was STS9 way back in 2004. I loved the fact they fused live instrumentation in with all these new synthesized electronic sounds that I had never heard before at the time. The first “DJs” I was ever introduced to were people like Bassnectar, Glitch Mob, and Tipper when I was like 16 or so. Didn’t fully understand it at the time until I was able to experience that kind of music live. Lately I’ve been listening to a bunch of hip hop (which btw I never liked at all until I got into electronic music) as well as the new future beat stuff like Cashmere Cat. I’ll pretty much listen to anything just as long as it has a good melody.

Summer: First concert?

ChrisB.: The first concert I went to was KISS. Jeez, I must have been like 3 or 4, maybe even younger. Gene Simmons and his family are family friends, so I grew up being around music at a really early age.

Summer: That’s so cool! What are your thoughts on the LA music scene and local acts?

ChrisB.: The LA music scene is pretty cool. Part of the reason why I still live here, although the only time I ever leave my studio is when a friend is in town playing music. Local acts like my Headtron brothers are absolutely crushing it, Sugarpill of course, Goldrush and jOBOT. Mr Carmack and the whole Team Supreme crew are making some huge waves right now too.

Summer: Which do you find more enjoyable: making a remix, or creating an original track and why?

ChrisB.: Remixes are fun because it allows you to take other peoples ideas and spawning your own from them. I typically find remixes easier that writing a while song from scratch. Writing something 100% original that kills it is always way more rewarding though.

Summer: Do you try to take in to consideration what your audience’s opinion of your tracks might be when creating them?

ChrisB.: When writing songs, the vibe of the song is highly affected by how I am feeling at the moment. Sometimes I’ll write a chill down-tempo song knowing I might never play it live unless during a sunrise set at Burning Man or something. I am my own worse critic so I usually don’t care what anyone else thinks just as long as I like it, I’m happy with it.

Summer: When you remix, do you begin with a track that’s already mostly completed and conform the stems you want to remix to it, or do you start bare bones with the stems and build the track around them?

ChrisB.: As far as remixing goes it depends on if I have access to the stems, in that case I have a personal relationship with the artist. Otherwise it’s a bootleg remix. When searching for bootlegs to remix I try to pick songs that are more along the minimal side of things so it really allows me to add all my own layers on top of it.

Summer: If you had to delete all but 3 plugins, which would you choose?

ChrisB.: I would keep Massive, Omnisphere and the Waves CLA Vocal plugin.

Summer: What is the best advice that has benefited you as a musician?

ChrisB.: The best advice I’ve benefited from was never doubt yourself and think you don’t know how to do something. Just try it and experiment. You have no idea how many times I have told myself I don’t know how to do something, then tried and I knew all along.

Summer: What do you feel is unique about your music?

ChrisB.: I have been recording more and more guitar lately and incorporating it with my music. I haven’t really heard anyone doing psychedelic 808 music with recorded electric guitar yet.

Summer: Sounds interesting. I look forward to hearing that and catching your upcoming sets. Thanks, Chris!

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