cut.

It’s songs like this that comfort me when I worry about where dubstep is headed. Put on some headphones and listen to it zip from left to right through your brain, and the warped downward scale at 3:24, yes! I love this unique combination of blade shwings with a tragic beat and the classical vibe from the Beethoven sample.

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Swedish House Mafia + Epoch Rises= so good I forgot how to add

Start the week off with some fist pumps, this new Greyhound remix from Epoch Rises is charged with enough energy to last you until Friday.  The deflating accordion/unmuffled harzoo (harmonica-kazoo yeah, they exist) sound at .43 is perfectly juxtaposed by the low bass and honking buzzes following. You’ll definitely want to race after they kick it up at 2.04, then grind down at 3.00.

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Hot Damn

I am raving about this track… stark raving mad at the rave about this track! DotEXE is terminating everyone/thing in the vicinity with bobcat screams and  crunky growling bass. The slow, hazy siren in a lower register is perfectly off set by scratching and crunked out punji. (.57) Plus glitchy, static laced robot voice, come on, you know you’re in big trouble.

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Wait for it…

At last, new track from Crywolf! Stay; this lovely beat makes you want to, especially right at 3.38. The beginning  is reminiscent of Where Do I Begin by The Chemical Brothers and the end breaks it down with that intense strobing that Crywolf does so well. This guy is packing some serious talent as a musician, vocalist and producer. Ep on the way, keep those ears perked.

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