Gladkillin’ It

Gladkill’s fun new album is definitely killin’ it. Sparkly beeps which I love, claps and wind chimes in Ether, I totally forgot about wind chimes. This ep is slow and trappy definitely has a different sound that his more housy tracks from earlier in the year. there’s so much good music going on this weekend in LA including his album release party tonight at Park Plaza Hotel with a few other great Oakland and LA artists Sik Van Dyke, DAILON, Noncoding, Penthouse, Beshken I will probably be dancing for 48 hours straight, yeayuh!

Gladkill

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Spect this

Fractal has a Seven Lions vibe going on now, which couldn’t make me happier. I love the variety in their layering and the way their higher register sounds offset their hard hitting bass and beats. Some of their more chill tracks are out of this world. They’re doing a set at King King this friday night with Bridge Theory and Crywolf. Ooohoho remember that awesome The Kinfe You Make Me Like Charity Crywolf remix? {droooool} Sounds like it’s going to be a crowd pleasing kind of night. I’m really hoping to hear Bloody Mary from Bridge Theory because I can not get enough of these bright beeping raindrops! How have they slipped under my radar for so long?
https://www.eventbrite.com/e/the-do-lab-presents-crywolf-fractal-and-bridge-theory-tickets-11576051281

Fractal

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That’s Funkedub.

I knew when I saw that Gramatik had shared an Opiuo song it was going to be Oh so sicK, but I didn’t know that I wasn’t going to be able to stop listening to these two latest tracks. Snorkle has that solid Opiuo thump, kick beat backing up some Gramatik grade funk and bright cascading beeps, doubt it could get better. They’re still retaining those delicious slippery wet sounds but have added some new interesting ones, for instance, Quack Fat has a legit Tin Cup vibe going on. I have a feeling that tonight’s show at King King is not to be missed, especially if you’ve yet to catch Opiuo live.
https://www.eventbrite.com/e/the-do-lab-presents-opiuo-soulular-and-gridwork-tickets-11563700339

opiuo
http://opiuo.com/

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PHUTUREPRIMITIVE INTERVIEW

We are big fans of Phutureprimitive here at AudioMolly. His Lucid  Dreams track was one of my earliest posts, entitled String Theory (page 7 if you want to go check it out.) So obviously I’m stoked to have an interview with the man himself right before his headlining set at this Saturday’s, May 31st A~Bun~Dance at Lure, Hollywood! This time the theme is the Future, my favorite era!
http://gratefulgeneration.com/events

Phutureprimitive
Summer

First off, your music blows my mind, for reasons other than it sounds great, and to say just “music” is an understatement. Each song is a story, a taste of Déjà vu like moments in time that are still somehow yet to come, the recorded memoirs of a billion year old consciousness downloaded into a spaceship dwelling cyborg, the soundtrack of our welcoming of the coming singularity. 

Your moniker, Phutureprimitive is probably the most interesting I’ve ever heard. I feel like the current electronic music scene is a perfect specimen of Future and Primitive. We fully utilize and embrace our technological evolution and combine it with the deep need for human connection and tribal expression through dance and costume. “Phutureprimitive” fully embodies the vibe your music portrays, or vice versa. How did you come up with it? 

Phutureprimitive
The name Phutureprimitive came from a love of duality, and those words convey just that. I like that the name somehow has a cinematic quality to it. I think those two words together are very intriguing. They create a framework of contrast (something I think good music also does). I think it also conveys where we’re at as a species – we’re living in the future, so to speak, but still behaving in some primitive ways.

Summer
Who are your musical influences?

Phutureprimitive
I’m inspired by melodies that tickle my insides and evoke an emotional or physical reaction. I’m inspired by simplicity, by life experiences, and by the space between the notes. I’m inspired by music that creates an environment for my imagination to run wild. I’m inspired by polarity, and by music that creates a soundtrack for how I think and feel and move.

Summer
What are some of your “go to” synths for that ripping Reese like bass?

Phutureprimitive
My go-to synths are Logic, Predator, Gladiator, Massive, Omnisphere, Alchemy, lots of re-sampling.

Summer
What is your favorite track that you’ve created?

Phutureprimitive
I don’t have just one favorite track that I’ve created, but I do have a top 5. Elysium, Spanish Fly, Burn, Hi Rez, and Dusted Compass.

Summer
Noyice! What other topics inspire you as an artists and individual?

Phutureprimitive
Having new experiences. I love to learn. Genuine connection. Nature. Technology. Spontaneity. Travel.

Summer
Same here. One last simple question; any thoughts on the future of humanity?

Phutureprimitive
I think between financial collapse, peak oil, global warming, global corporations, and our diminishing fresh water supply, we’re in for a bumpy ride. But humans are also amazingly resilient. I think we’ve got a long way to go in learning how to live harmoniously, in a way that guarantees we will not only survive, but thrive, for many more years to come on this planet. I think peoples’ and nations’ beliefs often get in the way of connection and compassion. The intensity of your beliefs can sometimes equate to the strength with which you resist questioning yourself and the world around you. A little more open-mindedness will go a long way.

Summer
Thank you so much for taking the time to do this interview. I am over the top excited about your headlining set at A~Bun~Dance, can’t wait to dance out my demons with you! 

Phutureprimitive
Thanks for the love and support, I really appreciate it. Your descriptive experience of the music was freakin’ awesome to read! Beautifully articulated.

http://www.phutureprimitive.com
https://www.facebook.com/phutureprimitivemusic
@phutureprimitiv
https://www.youtube.com/user/Primitivephuture

 

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KRADDY INTERVIEW

I first got down to Kraddy when Jules posted his sultry Wrecking Ball remix back in January. He continues to impress with tracks like the Flosstradamus remix that I posted last week and his new album Be a Light, on presale today! Give the first single, The Prestige a listen on SoundCloud and check out the interview below: https://soundcloud.com/kraddy/the-prestige
Screen-Shot-2014-03-28-at-2.06.10-PM
Summer
First off I just have to say that your set at the April A~Bun~Dance was awesome and I’m really enjoying the Flosstradamus remix. Super stoked for your set at Lightening in a Bottle this weekend as well, (Saturday night, 11pm- 12:30am at the Bamboo Stage) and LIB in general, the line up is so insanely good!  

Kraddy
I’m really glad you liked my set and the new remix. Thank you! I’m very excited for LIB too.

Summer
Which bands and/or producers do you consider to be your musical influences?

Kraddy
So many. It’s impossible to list them all but here’s a start – Jimi Hendrix, Led Zeppelin, Aphex Twin, Tipper, Si Begg, DJ Premier, Public Enemy, Pink Floyd, Pixies, Sepultura, Black Star, Rick Rubin, Meshuggah, Mono, Phish.

Summer
I’m very interested in your merging of live bands with electronic music. We are definitely seeing heavy electronic influence in pop and rock. I feel that when it comes to electronic music, resistance is futile. 

Kraddy
I agree.

Summer
What are your thoughts on the future of traditional live music?

Kraddy
Traditional live music will always exist. But it’s quickly morphing with electronic music. Most music will be a hybrid but there will always be an interest in musicianship and the skill of playing an instrument well.

Summer
I’m eager to discover more hybrid genres, the blending of traditional genres with electronic as well as the merging of electronic genres. The possibilities are endless, it’s exciting. 

Kraddy
Agreed.

Summer
What are you looking forward to in this realm and how do you plan on contributing if so?

Kraddy
I like what the XX is doing. I want to hear folk music with a simple electronic beat. I want to hear jungle metal. I want to hear dubstep love ballads. I’m contributing by making all of those styles. You can hear that on my upcoming album Be A Light. iTunes pre-sale starts May 20th [ TODAY!  https://itunes.apple.com/us/album/be-a-light/id869689436 ] and includes the first single for free. The full album comes out on June 3rd.

Summer
I read that you advocate listeners obtaining music for free. (Torrents, piracy arrrg) To quote you: “[Piracy] It didn’t necessarily kill the industry; it hurt the infrastructure that was already pretty much weak.” Assuming that this is correct information; I agree and I’d like to know exactly what you meant about the infrastructure being weak in the first place.

Kraddy
Mp3 and the rise of digital music wasn’t sudden.  Everyone saw it coming and the major record labels completely slept on (or ignored) the changes happening in the industry.  That is what I mean when I say that piracy didn’t kill the industry, it just hurt the an already angling and outdated system.  Major labels are so far behind when it comes to music innovation – they’re dinosaurs. The real taste makers are indie labels like Fools Gold, Mad Decent, OWSLA, Alpha Pup… The record labels are looking to these indie labels to try and find something cool because they have no idea what cool is anymore.

Summer
When did you start producing music?

Kraddy
I started writing music when I moved to SF in 1996. I was an intern at a studio called DataStream Studios. I learned to DJ and produce music at the same time.

Summer
Do you prefer remixing or creating an original track, and why?

Kraddy
Both are very fun. I like remixing because I don’t have to start from scratch.  The idea is right there and I only need to manipulate it. But I love writing original music because I’m always surprised by what comes out when I sit down to write. Its invigorating to come up with something thats fresh. Its like a magic trick and I don’t even know how it works.

Summer
That’s awesome. Do you have a particular work flow to which you stick in your creative process, or is every track different?

Kraddy
I have a flow I try and stick to but I don’t always stick to it.  I try and lay out the basics of the track right at the beginning.  Intro first verse, chorus etc…  I make myself do that before I even pick out sounds.  Its like building a frame for a house.  I like to see if a track has the basic elements that make it worth continuing to work on before I put too much time into it.  But sometimes I do just write an epic drop/chorus and then try and figure out the other parts after.

Summer
What software do you use?

Kraddy
I use Logic Audio and sometime Ableton.

Summer
Why do you prefer it over Ableton?

Kraddy
I think the low end sounds better.  And I really like all their built in plugins.

Summer
Any new software/tools or tech emerging that you’re excited about using in production or live shows?

Kraddy
I’m thinking to going back to good ‘ol playing instruments rather than bringing more tech on stage.  At some point after the album release I want to do a show with a full band and play a set of all my music live.

Summer
Wow, I really look forward to seeing that and can’t wait to check out the new album. See you at LIB, thanks for your time!
Kraddy Be a Light

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