Lion Chirp

I need more chipmunk voice. Because it’s better than a cowbell. (Thank you SNL for my ancient reference that the kids these days won’t understand)

I’m love the catchy beat with chirpy vocals and a subtle delicate piano that just creeeeEEEEeps in and out.  Really appreciate the build LION KINGS created with this one, expertly layering in more sounds without being overwhelming or cluttered, which I think is hard to do with a vocal sample like that (chipmunk winnnn!!) Then, like a glorious fart in a spring breeze, the bass drifts away to reveal them lovely piano notes I was diggin’ earlier.

Gonna keep an eye on you LION KINGS, I expect much more glory!!

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Lion Chirp

I need more chipmunk voice. Because it’s better than a cowbell. (Thank you SNL for my ancient reference that the kids these days won’t understand)

I’m love the catchy beat with chirpy vocals and a subtle delicate piano that just creeeeEEEEeps in and out.  Really appreciate the build LION KINGS created with this one, expertly layering in more sounds without being overwhelming or cluttered, which I think is hard to do with a vocal sample like that (chipmunk winnnn!!) Then, like a glorious fart in a spring breeze, the bass drifts away to reveal them lovely piano notes I was diggin’ earlier.

Gonna keep an eye on you LION KINGS, I expect much more glory!!

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ChrisB. Interview & Buddah Bass Remix

I posted Los Angeles native ChrisB.’s Aqueous Transmission remix back in February and caught one of his live sets at an A-Bun-Dance after party in the hills. Good thing that house didn’t have a rug because it would have gotten cut. He had the whole living room turned into a dance floor. Chris is back on AudioMolly with an interview and a sweet new Buddha Bass remix! He will be playing live at the next A-Bun-Dance this Saturday at Lure, Hollywood and the second weekend of Coachella with the Do Lab on 4/20, go ChrisB.!
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Summer: What are your musical influences?

ChrisB.: I have a very eclectic taste, so I have many different types of influences in my music. I grew up playing guitar, I was very into classic rock bands like Pink Floyd and Jimi Hendrix. I was also into jazz and funk. The first electronic music I was ever introduced to was STS9 way back in 2004. I loved the fact they fused live instrumentation in with all these new synthesized electronic sounds that I had never heard before at the time. The first “DJs” I was ever introduced to were people like Bassnectar, Glitch Mob, and Tipper when I was like 16 or so. Didn’t fully understand it at the time until I was able to experience that kind of music live. Lately I’ve been listening to a bunch of hip hop (which btw I never liked at all until I got into electronic music) as well as the new future beat stuff like Cashmere Cat. I’ll pretty much listen to anything just as long as it has a good melody.

Summer: First concert?

ChrisB.: The first concert I went to was KISS. Jeez, I must have been like 3 or 4, maybe even younger. Gene Simmons and his family are family friends, so I grew up being around music at a really early age.

Summer: That’s so cool! What are your thoughts on the LA music scene and local acts?

ChrisB.: The LA music scene is pretty cool. Part of the reason why I still live here, although the only time I ever leave my studio is when a friend is in town playing music. Local acts like my Headtron brothers are absolutely crushing it, Sugarpill of course, Goldrush and jOBOT. Mr Carmack and the whole Team Supreme crew are making some huge waves right now too.

Summer: Which do you find more enjoyable: making a remix, or creating an original track and why?

ChrisB.: Remixes are fun because it allows you to take other peoples ideas and spawning your own from them. I typically find remixes easier that writing a while song from scratch. Writing something 100% original that kills it is always way more rewarding though.

Summer: Do you try to take in to consideration what your audience’s opinion of your tracks might be when creating them?

ChrisB.: When writing songs, the vibe of the song is highly affected by how I am feeling at the moment. Sometimes I’ll write a chill down-tempo song knowing I might never play it live unless during a sunrise set at Burning Man or something. I am my own worse critic so I usually don’t care what anyone else thinks just as long as I like it, I’m happy with it.

Summer: When you remix, do you begin with a track that’s already mostly completed and conform the stems you want to remix to it, or do you start bare bones with the stems and build the track around them?

ChrisB.: As far as remixing goes it depends on if I have access to the stems, in that case I have a personal relationship with the artist. Otherwise it’s a bootleg remix. When searching for bootlegs to remix I try to pick songs that are more along the minimal side of things so it really allows me to add all my own layers on top of it.

Summer: If you had to delete all but 3 plugins, which would you choose?

ChrisB.: I would keep Massive, Omnisphere and the Waves CLA Vocal plugin.

Summer: What is the best advice that has benefited you as a musician?

ChrisB.: The best advice I’ve benefited from was never doubt yourself and think you don’t know how to do something. Just try it and experiment. You have no idea how many times I have told myself I don’t know how to do something, then tried and I knew all along.

Summer: What do you feel is unique about your music?

ChrisB.: I have been recording more and more guitar lately and incorporating it with my music. I haven’t really heard anyone doing psychedelic 808 music with recorded electric guitar yet.

Summer: Sounds interesting. I look forward to hearing that and catching your upcoming sets. Thanks, Chris!

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Devil in Heaven

This… THIS, is one of those songs that makes me literally scream out loud it’s so good. (Seriously, ask Bradley who was sitting near me….) INSTANT chills.  This is the best by Just A Gent, yet! I love  everything he does but this absolutely KILLSSSssss me it’s so good.  Hence, the insta post about it.

I can’t get over it, so I’m going to shut up now and start drawing something to it because this shit is gonna be on repeat AWLL DAYY. Share it, spread it like a love virus. Most importantly, FOLLOW HIM, this guy isn’t a one hit wonder or passing phase.

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Dimonds are a girl’s best friend

So, I admit, I’ve been a little late on the An-Ten-Nae train.  I only recently became hooked at Burning Man this past year.  It was the first night I arrived in Black Rock City so obviously I was obligated to see the sun rise!  And thank heaven almighty, because that’s when we stumbled upon An-Ten-Nae reigning mind melting bass upon the desert.  After dancing til I thought my legs were made of rainbow marshmellows, I stumbled over to my friend and screamed in her ear “WHODAFUQISTHIS?! WEGOTTAFINDOUT!” (I’m pretty sure I made her ear bleed. ) And the rest is history.

Now lucky for us, An-Ten-Nae isn’t a one trick pony.  Also part of LowRIDERz, a bassilicious trio, he has now teamed up with Releece to create…(drum roll pleeeease!)… Dimond Saints!

If you’re craving deep dark and ridiculously sexy bass with smooth grime then look no further! Dimond Saints has got that handled with remixes of Lorde, Florence, and my fav remix, Jaymes Young’s “Moondust”, each one taking you through a sultry aural journey.

In anticipation of their album release,  Shingetsu, this Saturday at Lure in Hollywood, I’ve chosen “The Rising” to give you a taste of what you are going to become addicted to.  I’m reeeeally feeling this one as it’s incredibly well crafted and makes me feel like I’m floating through space.

ALSO!!!! Super stoked to be LIVE PAINTING at this event!  I don’t know if I’ll be able to hold still long enough to put the brush to the canvas!  This is huge to me because I can’t tell you how many hours I’ve painted to An-Ten-Nae’s Medicine Crunk Mixtape and now I’ll be painting to Dimond Saints live.. can’t even describe how ridiculous this is!

 

 

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Feelin’ Falsetto

So Giraffage decided to remix The Dream’s 2007 album “Love Hate” and I’m thinkin that was a real good decision.  Each song has a chill smooth vibe to it that’s perfect for a Sunday afternoon.  You can throw this on and just feel good.  Maybe make a sandwich or maybe just sketch a quick realistic portrait of Morgan Freeman.

I gotta say my fav song is Falsetto. Why? Obviously the chipmunk voice.  If you add that in there, I will swoon and blog about it…but don’t get me wrong, it has to be a TASTEFUL chipmunk voice.  This is all about taste here folks.  Well done Giraffage, well done.

 

Seriously, if you're Kyle Lambert you can whip up this rough sketch of Morgan to this album.

Seriously, if you’re Kyle Lambert you can whip up this rough sketch of Morgan to this album.

 

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