Oiki

I am SO excited about this artist, Oiki out of Moscow Russia. All his tracks are creepy and great, but here’s his most spectacular, Groove. I can’t even express how ridiculously good this beat and exotic melody [.08 & .35] is. A perfect balance of hollowness and intricate layering. The windy howling/siren is captivating, you can hear it really well all through 40, before the claps start at .48.  Gun loading, shots and machine gun fire are icing, can’t get enough. Plus a bunch of other delicious little sounds tucked away here and there, slamming, shuffling footsteps, follow!

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drone strike!

Last year, these guys released the only Daft Punk remix that’s ever caught my attention and looks like they’re currently making some more music of their own. This track, Maximus deploys brutal beats, tragic drops and sound design akin to that of Noisia’s. The severity of its intense, gritty vibe is mischievously countered by swishy cranking, muted scratches and an ambush of Epoch’s sick signature doppler effects. They’re going to blow your mind up when they land, so prep. Stat. This is not for the faint of heart.

Trip out on the music vid: (graphics by Beeple)

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Take me with you!

I’ve really been enjoying West Klintwood lately and Interplanetary is one theirs that I just have to share. It starts off sounding like a spaceship taking off then, RIDICULOUS buzzy growl, yes, yes yes! Looove me some growl. The gurgling at .22 is rad and there’s a little bit of some kind of cool ricocheting knock/clap hybrid flatlining first at .34, like it. The zippy laser is working for this track,  need I even mention the beat? I don’t think so.

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